X Play, Don’t Play. Walala’s immersive maze left us puzzled

Anyone who knows me well will know that public art is one of my passions. As a director of Brockley Street Art Festival, the work of designer Camille Walala has inspired me again and again, producing brilliant examples of how enjoyable and accessible art is right there on the street. Her incredible Dream Come True mural for Splice, brightening up the Shoreditch streetscape. Her inspired Southwark crossing, bringing colour to an everyday pedestrian journey during last year’s London Design Festival. To say I’m a big fan is an understatement. So imagine how excited I was to hear that she’d been commissioned to create an immersive installation of her trademark colours and patterns, at one of my local galleries, just in time for the school holidays.

Described as a ‘temple of wonder’, Walala x Play sees the creation of a maze-like installation at Greenwich Peninsula’s lesser-known NOW Gallery, inviting visitors to fathom out the anomalies and asymmetries in the design, by exploring every nook and cranny of this compact three-dimensional space.

Due to popularity, visitors must pre-book a 15 minute slot to view. Visiting with my daughter (age 6) and our friends (with children aged 6 and 2), the glass aspect of the gallery on approach slightly spoilt the surprise. However, there was still plenty of enthusiasm as we neared the entrance, even after the steely front of house had read and re-read us the rules.

Take a wrist band.
Shoes off.
No running.
Do not touch the walls.
Do not sit on any part of the structure.
Children must be accompanied at all times.
Children aren’t allowed to view the maze from the mezzanine level.
This is an art installation and not a soft play area.

We get it. But did they need to be so heavy-handed that they forgot to welcome us in any way? Or tell us to have fun? And what about the artist and the work? Did they not warrant a mention? Looks like they forgot about that too.

Once inside, we found ourselves amongst some of the most playful ‘don’t-play’ art that we have ever experienced. It was impossible to stay together, as our young companions darted through narrow passages, only to emerge in the most unexpected of places. We gazed into mirrors, but our reflections were elsewhere. Instead of corners, we found dead-ends. Instead of space, we’d been squished. We were fooled again and again, and it was bending our small, medium and large minds. This, together with the dazzling colours and patterns, soon made us feel like we’d been sucked into a human kaleidoscope, twisted and spun around and around.  It was so much fun (sorry), and a brilliant way to experience the creative conundrum that goes on inside this incredible artist’s imagination.

Spat out of the labyrinth and back into the foyer, we marvelled at the super cute mechanical model of the neighbouring Emirates Air Line, high above our heads, before peeking our noses into the cosy cinema. Don’t be fooled by the writing on the wall though, there’s no Timelapse of Walala x Play happening in here. It’s just a hangover from the Walala opening night. There is, however, a clever Minecraft style interactive map of the Greenwich Peninsula and its surrounds, worth a play if you’re allowed and have the time to linger. Outside in Peninsula Gardens there is also more fun (not) to be had, in the form of two unique ping-pong tables adorned with Walala’s lively designs. Bats and balls are apparently available to borrow from the Now Gallery reception. That is if you’re brave enough to go back in and ask for them, or indeed, old enough to play.

Walala x Play is in at NOW Gallery, Greenwich Peninsula until 24th September. 
Opening times: Mon to Fri 10am-7pm, Sat & Sun 11am-4pm.
Admission Free.
15 minute viewing slots should be booked via the eventbrite.

Whilst you’re there: As well as nearby Emirates Air Line, take a 15 minute walk down East Parkside and get close to nature at Greenwich Ecology Centre. From here you can double back along the Olympian Way river path, spying the many flotsam and jetsam sculptures. 

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Arts-lovers guide to summer family fun

However much time you have to spend with the children over the school holidays, the arts is awash with some fantastic family friendly fun, with many events and activities happening all summer long. Here’s my arts-lovers guide to a summer of family fun!

S is for Shakespeare’s Globe

Celebrating literature and the art of storytelling, from 28-30 July the globe hosts everything from talks with Michael Morpurgo to interactive Shakespeare workshops. Advance booking highly recommended. See website for tickets and times.

U is for Udderbelly

Catch the last few gems of this family spectacular, which has been occupying the South Bank since April. The Australian acrobats staging Children Are Stinky (22-27 July) wowed the crowds at Edinburgh last year with their daredevil stunts, whilst Jungle Book (1-24 August) brings Rudyard Kipling’s well-known tale bang up to date, setting it in an urban jungle and packing it with street dance and circus.

M is for Museum Trips for Kids

Remember our recent trip to David Hockney with Imagine Art Club? Bringing artists and exhibitions to life in a way that so few galleries do, the enigmatic Aga returns with a host of visits planned to fill the dying days of the holidays. The sessions, which combine an informative exhibition tour with some practical art techniques, take in Matisse at the Royal Academy (29 & 30 August) and Fahrelnissa Zeid’s abstract art at Tate Modern (3 September).

M is for Mad Hatter!

Les Petits will be occupying the atmospheric tunnels of The Vaults almost every day of the summer holidays, with their immersive interpretation of C S Lewis’ classic, Adventures in Wonderland (until 3 September). If you’re looking for something more summery, Sixteenfeet Productions are presenting their own unique retelling in some of London’s loveliest green spaces, including Brockwell Park (22 July to 31 August), Morden Hall Park (4-7 August), Streatham Rookery (10-14 August) and Osterley Park (16-20 August). There’s also a chance to attend a Mad Hatter’s Tea Party.

E is for Eclectic

National Theatre’s free River Stage returns to the South Bank for almost the entire summer break this year, promising an eclectic mix of live theatre, DJs, family fun, dance, cinema, workshops and live music. Don’t miss the all-female performance troupe Figs in Wigs and their creative tribute to the 80s (29 July, 15.15) and The Jukeboxes (5 August, 12.00 and 14.45) who recreate classic pop videos using props, puppets and wigs. There’s also a beat-boxing vocal workshop with UK beatboxing champion Grace Savage (12 August, 14.00).

R is for Royal Academy

A few weeks ago I reviewed the Royal Academy’s Summer Exhibition on behalf of Kids in Museums, and I was so impressed at the endless variety of work, from world-renowned artists such as Tracey Emin and Bob and Roberta Smith, to emerging artists and architects. We also loved the handy Art Detectives pack, free to family visitors in order for them to get the most out of the show. See website for details of tickets and opening times. Exhibition runs until 20 August. While you’re there, as part of exhibition Second Nature: The Art of Tunnicliffe, there’s also the RA’s first ever dedicated family corner with permanent activities, as well as a series of workshops and story-tellings.

O is for Outdoor Art

It should really be P is for Pavilion, as both the Serpentine and Dulwich Picture Gallery celebrate all that is great about art in the outdoors, showing off their spectacular summer pavilions. As well as a family day (22 July) Serpentine are hosting a programme of lunchtime talks, whilst every Wednesday in August, Dulwich Picture Gallery will be hosting drop-in art making sessions for families, inspired by their exhibition Sargent: The Watercolours, and the design of their first ever pavilion. If you love outdoor art, make sure you also don’t miss Frieze Sculpture 2017 (until 8 October). This first-ever summer display of sculpture in the English Gardens of Regents Park is absolutely free, and brings together 25 new works by leading 20th-century artists and contemporary artists from around the world.

F is for Festival

Nobody does festivals better than Southbank Centre and alongside the usual beach and water fountain fun, the Summertime festival extends this year’s theme of Nordic Matters with contemporary circus Cirkus Cirkör (13-16 August), the continuation of Adventures in Moominland (until 20 August) and a weekend celebrating Swedish feasting, craft and Nordic music (19-20 August).

F is for Framed Film Club

Framed Film Festival returns to Barbican later in the year but the Framed Film Club picks up again every Saturday in September with a programme specially curated by children’s films by author Jamila Gavin. Popular kids flick Ratatouille sneaks into the end of the summer holidays (2 September, 11am), but more exciting is The Adventures of Prince Achmed (9 September) with introduction from Ms Gavin herself, as well as a live musical accompaniment by Stephen Horne. See website for tickets and age restrictions.

U is for Up

Well, Pop Up. As well as your last chance to catch the immersive exhibition The Fantastic World of Dr. Seuss (ends 3 September), this summer, Discover Story Centre will be staging 2 pop-up playgrounds. Illustrators and artists Pencil & Help will be hosting a Pop-Up Poetry Playground (5-20 August) where you can make a poem out of big bendy shapes and draw a poem to take home with you, then artist Kristi Minchin unveils her interactive Geometric Playground (21 August to 3 September) with cogs to turn, levers to pull and pendulums to swing. See website for opening times and details of day passes. Entry is free from 21 July to 14 August to those living or working in Newham.

N is for National Portrait Gallery

Inspired by the BP Portrait Award 2017, the gallery has planned a programme of free family workshops and activities (24 July to 4 August) including painting, drawing and a chance to learn more about judging a portrait competition. The jewel in the crown is the  special Playdoh Portraits session (20 August, 13.00 for 3+, 15.00  for 7+) with artist Eleanor Macnair, where visitors recreate a portrait from the gallery’s collection using nothing but play doh. Tickets are free and available one hour before the event.

Finding more than fair-weather fun at Serpentine Pavilion

I’m usually first past the post to visit the annual Serpentine Pavilion. In fact, i’d go so far to say that I anticipate it.

Over the years I’ve seen more than a few internationally renowned artists take up the challenge of designing a 300 square metre structure to take pride of place alongside one of London’s most exciting contemporary art galleries. With the intention of creating a cafe-cum-social space by day, and an entertainment space by night, I’ve always enjoyed putting the resulting structure through its paces with a young companion in tow. So imagine my disappointment this morning, as we drew closer to Francis Kéré’s bold blue structure, and my 4 year old decided to drop the clanger “I’m not going in there”.

I’ve always relished having kids that were open to everything, but here I was, in front of what was intended to be one of Serpentine’s most inclusive pavilions, and she had bailed. What on earth was I to do? I knew you’d be relying on me. I knew I had to think quick.

The artist was particularly keen on ensuring visitors to the pavilion remain ‘in nature’ whilst they view it, which means there’s plenty of scope to circumnavigate the space, without really feeling like you’re “in”. This was helpful. I could at least talk her into a scoot around the outside, and with four separate entrances and free-standing perforated walls, i’d at least get a good peek inside.

The whole structure is inspired by the canopy of a tree and its role as the centre of community in the artist’s native Burkina Faso. The focal point of the community, the tree offers shade and shelter, but it is also a social space, a meeting place where everyone in the village can come together.

Three quarters of the way round and we struck gold, in the form of a mound of plywood which had been fashioned into what appeared like a slide. A simple accessory to the centrepiece was shaping up to be our main event. Grateful for being thrown a lifeline, I dashed inside to check the rules of engagement with front of house staff, and at the wishes of the artist, we were free to explore. She slid down its shiny surfaces. She reclined in the (not quite) sunshine. She circled it like a mountain, and jumped free from its summit. So much more than a slide, this humble addition successfully recreates the collective gathering of children under the tree, a virtual kindergarten, allowing us ‘villagers’ the time and space to look on, to talk and to share stories.

Now sold on the structure, we ventured inside to the sweet smell of coffee. The central courtyard which kept us connected to nature, was the next big draw and we both loved seeing and feeling the outdoors inside. The seating here is strictly for bottoms and don’t allow the same level of adventure, but the wind in our hair and the stones under foot soon had us lost in our own thoughts, as if we were on a distant beach. All we needed was to be free of the overcast skies above and the world would be perfect.

Keen to quit whilst ahead (and grateful to have turned a thumbs down into a thumbs up), we headed off, over the road to the Diana Memorial Fountain for a paddle.

As we moved away from the pavilion, I could finally appreciate the expanse of the funnel-like roof in all its glory, ready and waiting for the dark clouds above us to kick it into action. Bound to nature, this creation really comes to life when it rains and any water collected on the roof is channeled into a spectacular waterfall effect, before being evacuated through the floor for later use within the park. This surely makes this one of the most simple, yet useful, pavilions we have ever visited.

Whatever the weather, it goes without saying that Serpentine Pavilion should be high on your day out ‘hit list’ this summer. Free, family friendly and lots of fun, it’s a visual feast that neither a grumpy pre schooler nor the British summertime can spoil.

Serpentine Pavilion is open until 8th October 2017.
Admission Free, Open daily 10am to 6pm.

Inspired by Francis Kéré’s stories of gathering, debate and community the Pavilion will become host to a series of picnic talks this summer, every Wednesday at 1pm until 23rd August.

There is also a Family Day on 22nd July. See website for details

Review: Barbican’s Japanese House provides a warm welcome

We might be a little late to the party, but after a busy period of Easter holiday fun, we finally gave ourselves the time to visit Barbican’s first major UK exhibition of Japanese domestic architecture.

The Japanese House: Architecture and Life after 1945, promises a feast of modern and contemporary design. The exhibition features over 40 renowned architects as well as a centrepiece in the form of a full-size recreation of the 2005 Moriyama House, designed by award-winning architect Ryue Nishizawa.

If like us, your knowledge of contemporary architecture could scarcely fill the back of a matchbox, do not fear. The beautiful thing about this exhibition is its accessibility. You definitely don’t need any prior knowledge to appreciate what’s on offer, all you need is a love of design, an interest in the built environment around you and a keen sense of adventure to let yourself and your companion explore.

So, what should you expect?

A brilliant activity sheet
Anyone who has visited Barbican Art Gallery before will know that it is a sizeable space. On this rare occasion, however, the team have played an absolute blinder and devised a fantastic activity sheet to guide you through the more technical upper floor. Starting in the upstairs gallery Inhabiting the Experimental, there’s a chance for little ones to choose their favourite house, peer inside curious models and take some inspiration to draw or design their own.

Plenty of video installations
For my young companion, any screen based installation is a big draw, and there’s plenty of this on offer to keep wide eyes mesmerised. There’s film snippets of Japanese home dramas – devised with minimal plot to simply show off abodes, and a host of beguiling manga cartoons, with video cleverly peppered throughout the exhibition, allowing you time and space to take-in the panels on the wall.

An awe-inspiring Japanese House
Downstairs, the exhibition centrepiece will be met with a shriek of excitement, followed by an opportunity to weave a curious path through Mr Moriyama’s house and garden. Whether marvelling at his well stocked kitchen, perusing his extensive belongings or giggling at his tiny bath, there’s more fun than Ikea to be had here. Move from room to room and ponder the incredible use of space, as well as exploring its garden pathways, hidden terraces and private courtyards.

A tea house as good as a tree house
Set within the garden of the Moriyama House, the tea house is a new commission designed especially for the Barbican by architect and historian Terunobu Fujimori. Featuring a beautiful hand-charred timber exterior, visitors are invited to play ‘house’ through climbing up inside its stark plastic interior and peering out of the circular tinted windows, waving at fellow visitors below.

The gallery environment is also transformed every 30 minutes by lighting that mimics dawn to dusk, ensuring that every visitor can experience the magic of these buildings across any one day.

What should you be aware of before visiting with young children?

Rules are rules
Although very family friendly and highly interactive, the ‘no touching, just looking’ rule should still apply. Yes, you can weave through the arches, climb stairs and explore rooms, but discourage little ones from touching the models or moving items found within the house. If cushions, futons and bunny chairs are devoid of items, you’re welcome to try them out for size, but steps obstructed with books and nik-naks stuck down with glue, give a good indication of what’s acceptable here.

Stick to the paths
The garden area has some fun pathways marked out by stones and interesting doorways to pass through. Be mindful not to walk on the stones, or open and close doors, to protect little fingers and delicate exhibits.

Lose the shoes
When entering the tea house, shoes have to be removed and set aside, but should be hastily put back on as you exit. It’s also one way in and one way out, with numbers limited at busy times.

With such a wealth of space beyond the gallery itself, from the foyers to the fountains, the conservatory and the Curve, the Barbican is such a fantastic destination for families. It is, however, easy to be put off by the often over-zealous front of house team, or the unfavourable reactions of the regular patrons. The experiential nature of this exhibition, however, appears to have turned this temporarily on its head, attracting far more younger visitors and with it, a slightly more relaxed approach from the hosts. Add this safety in numbers aspect, together with the peace and serenity that ensues from exploring a home unscathed by tut and toys, and this house will feel like a home in no time, and one you’ll want to return to again, and again, and again.

The Japanese House Architecture and Life after 1945 is at Barbican Art Gallery, Barbican Centre until 25th June.
Admission Adult £14.50, Children 14+ £10, Children under 14 Free.
Sat to Weds 10am to 6pm, Thurs & Fri 10am to 9pm.
Bank Holiday times vary. See website for details

Family friendly arts activities for Easter

Whether you’re running out of ideas at the end of week one, or you’ve just broken up with the holidays ahead of you, the arts have excelled this Easter with a whole host of treats from across the spectrum. Here’s my top picks for families.

David Hockney at Tate Britain
Until 29th May, 10am to 6pm, Adults £19.50, Children £17.50, Under 12s free (up to four per family), All ages
If you weren’t aware that one of the greatest British artists of our time is currently exhibiting his biggest every collection of work at Tate Britain, where have you been? Alongside a host of famous works, his spectacular double portraits and mind-blowing digital work makes this unmissable for kids.

Vuelos by Aracaladanza at Sadlers Wells
14th April 3pm, 15th April 11am and 3.30pm, Adults £18, Children £12, Recommended age 5+
Inspired by Leonardo da Vinci’s quest to make man fly, this playful production will leave young viewers wanting to take flight! Forming the centrepiece of Sadler’s Wells annual Family Weekend, the performance dates are accompanied by a mini festival, as the doors of this seemingly intimidating venue are being thrown open for families, inviting them to take part in storytelling, workshops, games and craft activities. If this isn’t enough, Sadler’s Wells still have a few tickets left for their infamous My First Ballet, off-site at the Peacock Theatre.

Wicked Wednesdays workshops at Wilton’s Music Hall
12th April, 11am to 3pm, Free, Recommended age 6+
Any opportunity to introduce the children to this London treasure housed in a fascinating part of the East End, is not to be missed. Using the original Victorian wallpaper in the Mahogany bar as inspiration, families are invited to design and make their own, in this free to drop-in creative workshop.

We’re Stuck! at Shoreditch Town Hall
12th to 15th April, various show times, Adults £12, Children £10, Recommended age 7-12
Whilst we are on the subject of magnificent historical buildings, not a million miles down the road, this Grade II listed wonder is debuting a brand new interactive show for children, inspired by the latest educational neuroscience around our relationship with maths. Using comedy, clowning and general silliness, the show promises a voyage of discovery exploring how amazing and utterly rubbish our brains can be at maths – and how we can best grow our grey matter.

Tudor Tales and Treats at The Charterhouse
14th April 2017, 11am to 3pm, Drop in suggested donation £3, All ages
As part of a pan-London celebration of literature, Cityread has teamed up with the unique Charterhouse to transport visitors back to the 16th century, in a family day packed with storytelling, sweet-making and traditional Tudor dance. Once a monastery, a boys school, a private mansion and now an almshouse, you couldn’t pick a more atmospheric location to explore SJ Parris’ Tudor thriller Prophecy, the focus of a number of more grown-up events as part of this year’s collective read.

Urban Festival at Southbank Centre
Until 17th April, See website for full programme and admission charges, all ages.
No half term would be complete without a trip to the Southbank Centre, and for those who have chosen to stay in London over half term and celebrate the art and artists of our city, Urban Festival is most definitely for you. Quite a bit of the pre bookable programme is now sold out, but if you miss the free Fun DMC hip-hop disco in the Clore Ballroom this weekend, then definitely drop in to Craft the City on 15th and 16th April and create your own city of the future entirely out of cardboard.

Review: Tate Modern’s Ten Days Six Nights is fun while it lasts

If only it was on for longer, I thought as I exited BMW Tate Live: Ten Days Six Nights at Tate Modern this morning. This ten-day extravaganza of installations, performances, film, music and choreography, is also a huge missed opportunity, given it finishes before the Easter holidays, despite the mammoth efforts of their curatorial team.

Since opening the new Switch House last summer, performance has been right at the heart of Tate Modern’s refreshed offering. Staged in the unique space of The Tanks, this exhibition celebrates them coming into their own, proving that art can create participation, and can be experimental, yet informal, playful and fun.

So what can you expect to see in daylight hours?

Isabel Lewis will be taking over the Tanks with her site specific installation, which unfolds between the Lobby and the East Tank as the days go by. Dotted with strange plants and impromptu dancers, she aims to host any visitors with everything from music, to food and scent, ensuring that you don’t leave without taking part in some way, shape or form. Her beguiling piece Occasions 2017, was housed in the East Tank today, providing an even greater expanse of foliage and choreography, to the backdrop of Fred Moten and Wu Tsang’s night-time musical and poetic accompaniment.

Moten and Tsang also provide a superb contribution to daytime proceedings, with their interactive installation Gravitational Feel. Using fabric and sound to trigger ‘chance events’, they’ve filled the rear of the Transformer Galleries with knotted fabric rope, suspended from the ceiling on moveable heads, inviting visitors to touch and animate the strands by passing beneath and between.

CAMP, a collaborative studio founded in Mumbai in 2007 are also sharing the space, demonstrating the power of a ‘window’ in a range of interesting ways. From their CCTV spy films taken at the Arndale Centre, to their oversized LED representation of an overheard conversations, their work challenges us to think about the role of electricity and surveillance in our modern lives. Particularly fun is Windscreen 2002, whereby standing in the space between the framed paper squares and the wall fan, will quickly reveal you as the subject of the work.

The centrepiece of the exhibition is Fujiko Nakaya’s immersive fog sculpture, taking pride of place outside on the first floor terrace. The daughter of an inventor of the artificial snowflake, it’s ironic that her work now centres entirely on creating fog. The misty water vapour cuts a ghostly figure of those who choose to interact, creating something similar to Gotham City from the impressive skyline behind (complete with shrieks of terror by water-soaked bystanders).

What’s great about Ten Days Six Nights is that for once, visiting families can put aside their usual feelings of FOMO. With so much of the fun happening in the day, you’re bound to chance upon something fun, even if you’re dropping in as part of a random South Bank mosey. As the name suggests, however, there are also six nights of spectacular work, so if you’re lucky enough to get a night off, re-live the nineties, with Lorenzo Senni’s laser and sound installations, focussing on the hypnotic and repetitive aspects of trance music.

Ten Days Six Nights is at Tate Modern from 24th March until 2nd April 2017
Open daily 10am-6pm, until 10pm Friday and Saturday
Admission Free
See website for details of what’s on each day and each night

Top picks for families visiting David Hockney

Yesterday morning I was at Tate Britain, lucky enough to preview the most extensive retrospective of the work of acclaimed British artist David Hockney. Spanning some 60 years of work, this exhibition is an undertaking for even the most hardy of visitors, so how on earth do you take on the task of navigating 12 rooms and over 200 works, if you’re visiting with the kids in tow?

Hockney’s work is brilliantly bold, colourful and popular, which also makes it quite accessible, but underlying this, it contains so many narratives and themes that children (and parents) can easily connect with. How to put your own stamp on things, how to get a reaction, but also how to replicate your own experience of being alive in the world when you’re moving at a hundred miles an hour!

Sadly, and a little short-sighted, Tate don’t appear to have much in the way of family related activities around the exhibition. West London Saturday school and after school group Imagine Art Club are running an Hockney for Kids event in May, which has seen an unprecedented response, but outside of this its pretty much a self-guided experience.

To help you get the most of this colossal exhibition, here’s my top tips for visiting on borrowed time:

Room 1 – Play within a Play
Illustrating Hockney’s playful take on reality versus illusion, this room will kick-start your interaction with the work. Is that a real person squashed behind the glass in Play Within a Play? And is that a circle on a blue background? Or a Rubber Ring Floating in a Swimming Pool? Is Blue Stools a photo or a painting? A great room for guessing games.

Room 4 – Sunbather
The perfect room to plot down with a sketchbook and replicate the stark colours and geometric shapes of Hockney’s 1960s and 70s LA. Here you’ll find sunlight, blue skies, palm trees and space, but look closer at A Bigger Splash, and you’ll find Hockney’s playful presence (painstakingly painted splash-droplets) amongst the flat and the brash.

Room 5 – Towards Naturalism
Home to the acclaimed double portraits, here things become more striking and spectacular, as Hockney began to paint more realistic, life-size representations of close family and friends. Go forth and find your favourite pairing. Although the static nature of this style eventually troubled Hockney (whose desire was to appear more dynamic), children will appreciate the humble imperfections present in much of this work.

Room 10 The Wolds
These large-scale puzzle-like Yorkshire landscapes produced for the Royal Academy show in 2012, continue to shake off ‘naturalism’, borrowing ideas from Van Gogh, with a three-point perspective offering a different window onto the same world. I had to look twice before I determined the real source of the life-like shadows on May Blossom on the Roman Road, and there isn’t a single young visitor that won’t want to get lost in Woldgate Woods.

Room 11 Four Seasons
If you’ve been racing through up to this point, you’ll welcome this unavoidable chance to stop and stare. Here, four, nine screen digital walls celebrate the seasons by repeatedly filming the same journey, in order to capture the experience as an on-the-ground observer. Enjoy the child-like excitement of crispy autumn leaves, the magic of falling snow flakes, and the emergence of spring sunshine.

Room 13 iPads
As parents, the subject of screen time forms endless debate, yet here, we see a master of art embracing technology to experiment with new styles and demonstrate the complexity of their thinking. There are some 78 iPad and iPhone ‘doodles’ in this room, and watching work ‘build’ provides awe-inspiring insight into how Hockney’s subtle touch turns a simple work of art, into a world-beating masterpiece.

Whilst studying at the Royal College of Art in the early 1960’s, Hockney lost direction, intimidated about what might lie ahead. It was at this point that his friend and art contemporary R B Kitaj asked him a poignant question – Why don’t you only focus on the things that you love? This sound advice led onto a lifetime of painting, drawing and photography, presented with unique character and a strong sense of wit. If you’re visiting this spectacular show with children, you would do well to heed the same advice. It’s impossible to do it all, so focus on what you love and all the rest will fall into place, and that’s your best bet for navigating this landmark exhibition.

David Hockney is at Tate Britain from 9th February until 29th May 2017
Tate Britain, Millbank, London, SW1P 4RG
Open daily 10am-6pm
Admission £19.50 Adults, Children £17.50, Under 12s free (up to four per family)