Finding more than fair-weather fun at Serpentine Pavilion

I’m usually first past the post to visit the annual Serpentine Pavilion. In fact, i’d go so far to say that I anticipate it.

Over the years I’ve seen more than a few internationally renowned artists take up the challenge of designing a 300 square metre structure to take pride of place alongside one of London’s most exciting contemporary art galleries. With the intention of creating a cafe-cum-social space by day, and an entertainment space by night, I’ve always enjoyed putting the resulting structure through its paces with a young companion in tow. So imagine my disappointment this morning, as we drew closer to Francis Kéré’s bold blue structure, and my 4 year old decided to drop the clanger “I’m not going in there”.

I’ve always relished having kids that were open to everything, but here I was, in front of what was intended to be one of Serpentine’s most inclusive pavilions, and she had bailed. What on earth was I to do? I knew you’d be relying on me. I knew I had to think quick.

The artist was particularly keen on ensuring visitors to the pavilion remain ‘in nature’ whilst they view it, which means there’s plenty of scope to circumnavigate the space, without really feeling like you’re “in”. This was helpful. I could at least talk her into a scoot around the outside, and with four separate entrances and free-standing perforated walls, i’d at least get a good peek inside.

The whole structure is inspired by the canopy of a tree and its role as the centre of community in the artist’s native Burkina Faso. The focal point of the community, the tree offers shade and shelter, but it is also a social space, a meeting place where everyone in the village can come together.

Three quarters of the way round and we struck gold, in the form of a mound of plywood which had been fashioned into what appeared like a slide. A simple accessory to the centrepiece was shaping up to be our main event. Grateful for being thrown a lifeline, I dashed inside to check the rules of engagement with front of house staff, and at the wishes of the artist, we were free to explore. She slid down its shiny surfaces. She reclined in the (not quite) sunshine. She circled it like a mountain, and jumped free from its summit. So much more than a slide, this humble addition successfully recreates the collective gathering of children under the tree, a virtual kindergarten, allowing us ‘villagers’ the time and space to look on, to talk and to share stories.

Now sold on the structure, we ventured inside to the sweet smell of coffee. The central courtyard which kept us connected to nature, was the next big draw and we both loved seeing and feeling the outdoors inside. The seating here is strictly for bottoms and don’t allow the same level of adventure, but the wind in our hair and the stones under foot soon had us lost in our own thoughts, as if we were on a distant beach. All we needed was to be free of the overcast skies above and the world would be perfect.

Keen to quit whilst ahead (and grateful to have turned a thumbs down into a thumbs up), we headed off, over the road to the Diana Memorial Fountain for a paddle.

As we moved away from the pavilion, I could finally appreciate the expanse of the funnel-like roof in all its glory, ready and waiting for the dark clouds above us to kick it into action. Bound to nature, this creation really comes to life when it rains and any water collected on the roof is channeled into a spectacular waterfall effect, before being evacuated through the floor for later use within the park. This surely makes this one of the most simple, yet useful, pavilions we have ever visited.

Whatever the weather, it goes without saying that Serpentine Pavilion should be high on your day out ‘hit list’ this summer. Free, family friendly and lots of fun, it’s a visual feast that neither a grumpy pre schooler nor the British summertime can spoil.

Serpentine Pavilion is open until 8th October 2017.
Admission Free, Open daily 10am to 6pm.

Inspired by Francis Kéré’s stories of gathering, debate and community the Pavilion will become host to a series of picnic talks this summer, every Wednesday at 1pm until 23rd August.

There is also a Family Day on 22nd July. See website for details

Review: Barbican’s Japanese House provides a warm welcome

We might be a little late to the party, but after a busy period of Easter holiday fun, we finally gave ourselves the time to visit Barbican’s first major UK exhibition of Japanese domestic architecture.

The Japanese House: Architecture and Life after 1945, promises a feast of modern and contemporary design. The exhibition features over 40 renowned architects as well as a centrepiece in the form of a full-size recreation of the 2005 Moriyama House, designed by award-winning architect Ryue Nishizawa.

If like us, your knowledge of contemporary architecture could scarcely fill the back of a matchbox, do not fear. The beautiful thing about this exhibition is its accessibility. You definitely don’t need any prior knowledge to appreciate what’s on offer, all you need is a love of design, an interest in the built environment around you and a keen sense of adventure to let yourself and your companion explore.

So, what should you expect?

A brilliant activity sheet
Anyone who has visited Barbican Art Gallery before will know that it is a sizeable space. On this rare occasion, however, the team have played an absolute blinder and devised a fantastic activity sheet to guide you through the more technical upper floor. Starting in the upstairs gallery Inhabiting the Experimental, there’s a chance for little ones to choose their favourite house, peer inside curious models and take some inspiration to draw or design their own.

Plenty of video installations
For my young companion, any screen based installation is a big draw, and there’s plenty of this on offer to keep wide eyes mesmerised. There’s film snippets of Japanese home dramas – devised with minimal plot to simply show off abodes, and a host of beguiling manga cartoons, with video cleverly peppered throughout the exhibition, allowing you time and space to take-in the panels on the wall.

An awe-inspiring Japanese House
Downstairs, the exhibition centrepiece will be met with a shriek of excitement, followed by an opportunity to weave a curious path through Mr Moriyama’s house and garden. Whether marvelling at his well stocked kitchen, perusing his extensive belongings or giggling at his tiny bath, there’s more fun than Ikea to be had here. Move from room to room and ponder the incredible use of space, as well as exploring its garden pathways, hidden terraces and private courtyards.

A tea house as good as a tree house
Set within the garden of the Moriyama House, the tea house is a new commission designed especially for the Barbican by architect and historian Terunobu Fujimori. Featuring a beautiful hand-charred timber exterior, visitors are invited to play ‘house’ through climbing up inside its stark plastic interior and peering out of the circular tinted windows, waving at fellow visitors below.

The gallery environment is also transformed every 30 minutes by lighting that mimics dawn to dusk, ensuring that every visitor can experience the magic of these buildings across any one day.

What should you be aware of before visiting with young children?

Rules are rules
Although very family friendly and highly interactive, the ‘no touching, just looking’ rule should still apply. Yes, you can weave through the arches, climb stairs and explore rooms, but discourage little ones from touching the models or moving items found within the house. If cushions, futons and bunny chairs are devoid of items, you’re welcome to try them out for size, but steps obstructed with books and nik-naks stuck down with glue, give a good indication of what’s acceptable here.

Stick to the paths
The garden area has some fun pathways marked out by stones and interesting doorways to pass through. Be mindful not to walk on the stones, or open and close doors, to protect little fingers and delicate exhibits.

Lose the shoes
When entering the tea house, shoes have to be removed and set aside, but should be hastily put back on as you exit. It’s also one way in and one way out, with numbers limited at busy times.

With such a wealth of space beyond the gallery itself, from the foyers to the fountains, the conservatory and the Curve, the Barbican is such a fantastic destination for families. It is, however, easy to be put off by the often over-zealous front of house team, or the unfavourable reactions of the regular patrons. The experiential nature of this exhibition, however, appears to have turned this temporarily on its head, attracting far more younger visitors and with it, a slightly more relaxed approach from the hosts. Add this safety in numbers aspect, together with the peace and serenity that ensues from exploring a home unscathed by tut and toys, and this house will feel like a home in no time, and one you’ll want to return to again, and again, and again.

The Japanese House Architecture and Life after 1945 is at Barbican Art Gallery, Barbican Centre until 25th June.
Admission Adult £14.50, Children 14+ £10, Children under 14 Free.
Sat to Weds 10am to 6pm, Thurs & Fri 10am to 9pm.
Bank Holiday times vary. See website for details

Family friendly arts activities for Easter

Whether you’re running out of ideas at the end of week one, or you’ve just broken up with the holidays ahead of you, the arts have excelled this Easter with a whole host of treats from across the spectrum. Here’s my top picks for families.

David Hockney at Tate Britain
Until 29th May, 10am to 6pm, Adults £19.50, Children £17.50, Under 12s free (up to four per family), All ages
If you weren’t aware that one of the greatest British artists of our time is currently exhibiting his biggest every collection of work at Tate Britain, where have you been? Alongside a host of famous works, his spectacular double portraits and mind-blowing digital work makes this unmissable for kids.

Vuelos by Aracaladanza at Sadlers Wells
14th April 3pm, 15th April 11am and 3.30pm, Adults £18, Children £12, Recommended age 5+
Inspired by Leonardo da Vinci’s quest to make man fly, this playful production will leave young viewers wanting to take flight! Forming the centrepiece of Sadler’s Wells annual Family Weekend, the performance dates are accompanied by a mini festival, as the doors of this seemingly intimidating venue are being thrown open for families, inviting them to take part in storytelling, workshops, games and craft activities. If this isn’t enough, Sadler’s Wells still have a few tickets left for their infamous My First Ballet, off-site at the Peacock Theatre.

Wicked Wednesdays workshops at Wilton’s Music Hall
12th April, 11am to 3pm, Free, Recommended age 6+
Any opportunity to introduce the children to this London treasure housed in a fascinating part of the East End, is not to be missed. Using the original Victorian wallpaper in the Mahogany bar as inspiration, families are invited to design and make their own, in this free to drop-in creative workshop.

We’re Stuck! at Shoreditch Town Hall
12th to 15th April, various show times, Adults £12, Children £10, Recommended age 7-12
Whilst we are on the subject of magnificent historical buildings, not a million miles down the road, this Grade II listed wonder is debuting a brand new interactive show for children, inspired by the latest educational neuroscience around our relationship with maths. Using comedy, clowning and general silliness, the show promises a voyage of discovery exploring how amazing and utterly rubbish our brains can be at maths – and how we can best grow our grey matter.

Tudor Tales and Treats at The Charterhouse
14th April 2017, 11am to 3pm, Drop in suggested donation £3, All ages
As part of a pan-London celebration of literature, Cityread has teamed up with the unique Charterhouse to transport visitors back to the 16th century, in a family day packed with storytelling, sweet-making and traditional Tudor dance. Once a monastery, a boys school, a private mansion and now an almshouse, you couldn’t pick a more atmospheric location to explore SJ Parris’ Tudor thriller Prophecy, the focus of a number of more grown-up events as part of this year’s collective read.

Urban Festival at Southbank Centre
Until 17th April, See website for full programme and admission charges, all ages.
No half term would be complete without a trip to the Southbank Centre, and for those who have chosen to stay in London over half term and celebrate the art and artists of our city, Urban Festival is most definitely for you. Quite a bit of the pre bookable programme is now sold out, but if you miss the free Fun DMC hip-hop disco in the Clore Ballroom this weekend, then definitely drop in to Craft the City on 15th and 16th April and create your own city of the future entirely out of cardboard.

Review: Tate Modern’s Ten Days Six Nights is fun while it lasts

If only it was on for longer, I thought as I exited BMW Tate Live: Ten Days Six Nights at Tate Modern this morning. This ten-day extravaganza of installations, performances, film, music and choreography, is also a huge missed opportunity, given it finishes before the Easter holidays, despite the mammoth efforts of their curatorial team.

Since opening the new Switch House last summer, performance has been right at the heart of Tate Modern’s refreshed offering. Staged in the unique space of The Tanks, this exhibition celebrates them coming into their own, proving that art can create participation, and can be experimental, yet informal, playful and fun.

So what can you expect to see in daylight hours?

Isabel Lewis will be taking over the Tanks with her site specific installation, which unfolds between the Lobby and the East Tank as the days go by. Dotted with strange plants and impromptu dancers, she aims to host any visitors with everything from music, to food and scent, ensuring that you don’t leave without taking part in some way, shape or form. Her beguiling piece Occasions 2017, was housed in the East Tank today, providing an even greater expanse of foliage and choreography, to the backdrop of Fred Moten and Wu Tsang’s night-time musical and poetic accompaniment.

Moten and Tsang also provide a superb contribution to daytime proceedings, with their interactive installation Gravitational Feel. Using fabric and sound to trigger ‘chance events’, they’ve filled the rear of the Transformer Galleries with knotted fabric rope, suspended from the ceiling on moveable heads, inviting visitors to touch and animate the strands by passing beneath and between.

CAMP, a collaborative studio founded in Mumbai in 2007 are also sharing the space, demonstrating the power of a ‘window’ in a range of interesting ways. From their CCTV spy films taken at the Arndale Centre, to their oversized LED representation of an overheard conversations, their work challenges us to think about the role of electricity and surveillance in our modern lives. Particularly fun is Windscreen 2002, whereby standing in the space between the framed paper squares and the wall fan, will quickly reveal you as the subject of the work.

The centrepiece of the exhibition is Fujiko Nakaya’s immersive fog sculpture, taking pride of place outside on the first floor terrace. The daughter of an inventor of the artificial snowflake, it’s ironic that her work now centres entirely on creating fog. The misty water vapour cuts a ghostly figure of those who choose to interact, creating something similar to Gotham City from the impressive skyline behind (complete with shrieks of terror by water-soaked bystanders).

What’s great about Ten Days Six Nights is that for once, visiting families can put aside their usual feelings of FOMO. With so much of the fun happening in the day, you’re bound to chance upon something fun, even if you’re dropping in as part of a random South Bank mosey. As the name suggests, however, there are also six nights of spectacular work, so if you’re lucky enough to get a night off, re-live the nineties, with Lorenzo Senni’s laser and sound installations, focussing on the hypnotic and repetitive aspects of trance music.

Ten Days Six Nights is at Tate Modern from 24th March until 2nd April 2017
Open daily 10am-6pm, until 10pm Friday and Saturday
Admission Free
See website for details of what’s on each day and each night

Top picks for families visiting David Hockney

Yesterday morning I was at Tate Britain, lucky enough to preview the most extensive retrospective of the work of acclaimed British artist David Hockney. Spanning some 60 years of work, this exhibition is an undertaking for even the most hardy of visitors, so how on earth do you take on the task of navigating 12 rooms and over 200 works, if you’re visiting with the kids in tow?

Hockney’s work is brilliantly bold, colourful and popular, which also makes it quite accessible, but underlying this, it contains so many narratives and themes that children (and parents) can easily connect with. How to put your own stamp on things, how to get a reaction, but also how to replicate your own experience of being alive in the world when you’re moving at a hundred miles an hour!

Sadly, and a little short-sighted, Tate don’t appear to have much in the way of family related activities around the exhibition. West London Saturday school and after school group Imagine Art Club are running an Hockney for Kids event in May, which has seen an unprecedented response, but outside of this its pretty much a self-guided experience.

To help you get the most of this colossal exhibition, here’s my top tips for visiting on borrowed time:

Room 1 – Play within a Play
Illustrating Hockney’s playful take on reality versus illusion, this room will kick-start your interaction with the work. Is that a real person squashed behind the glass in Play Within a Play? And is that a circle on a blue background? Or a Rubber Ring Floating in a Swimming Pool? Is Blue Stools a photo or a painting? A great room for guessing games.

Room 4 – Sunbather
The perfect room to plot down with a sketchbook and replicate the stark colours and geometric shapes of Hockney’s 1960s and 70s LA. Here you’ll find sunlight, blue skies, palm trees and space, but look closer at A Bigger Splash, and you’ll find Hockney’s playful presence (painstakingly painted splash-droplets) amongst the flat and the brash.

Room 5 – Towards Naturalism
Home to the acclaimed double portraits, here things become more striking and spectacular, as Hockney began to paint more realistic, life-size representations of close family and friends. Go forth and find your favourite pairing. Although the static nature of this style eventually troubled Hockney (whose desire was to appear more dynamic), children will appreciate the humble imperfections present in much of this work.

Room 10 The Wolds
These large-scale puzzle-like Yorkshire landscapes produced for the Royal Academy show in 2012, continue to shake off ‘naturalism’, borrowing ideas from Van Gogh, with a three-point perspective offering a different window onto the same world. I had to look twice before I determined the real source of the life-like shadows on May Blossom on the Roman Road, and there isn’t a single young visitor that won’t want to get lost in Woldgate Woods.

Room 11 Four Seasons
If you’ve been racing through up to this point, you’ll welcome this unavoidable chance to stop and stare. Here, four, nine screen digital walls celebrate the seasons by repeatedly filming the same journey, in order to capture the experience as an on-the-ground observer. Enjoy the child-like excitement of crispy autumn leaves, the magic of falling snow flakes, and the emergence of spring sunshine.

Room 13 iPads
As parents, the subject of screen time forms endless debate, yet here, we see a master of art embracing technology to experiment with new styles and demonstrate the complexity of their thinking. There are some 78 iPad and iPhone ‘doodles’ in this room, and watching work ‘build’ provides awe-inspiring insight into how Hockney’s subtle touch turns a simple work of art, into a world-beating masterpiece.

Whilst studying at the Royal College of Art in the early 1960’s, Hockney lost direction, intimidated about what might lie ahead. It was at this point that his friend and art contemporary R B Kitaj asked him a poignant question – Why don’t you only focus on the things that you love? This sound advice led onto a lifetime of painting, drawing and photography, presented with unique character and a strong sense of wit. If you’re visiting this spectacular show with children, you would do well to heed the same advice. It’s impossible to do it all, so focus on what you love and all the rest will fall into place, and that’s your best bet for navigating this landmark exhibition.

David Hockney is at Tate Britain from 9th February until 29th May 2017
Tate Britain, Millbank, London, SW1P 4RG
Open daily 10am-6pm
Admission £19.50 Adults, Children £17.50, Under 12s free (up to four per family)

Affordable Arts Activities for Half Term in London

Half term is fast approaching, and if you’ve been unorganised, don’t panic and throw away a fortune on last minute fun. Whether you’re visiting London, or lucky enough to live here, look to the arts and you’ll always find plenty going on. Here I gift you, Arts Aloud’s definitive list of inspirational activities, without the city price-tag.

Affordable Art

London is currently awash with fabulously free, family friendly art, much of which we have road-tested and given a big thumbs up! On the South Bank, it’s easy to while away a whole morning in the ever-reliable Tate Modern. Soak up the immersive acoustics and flying objects of Philippe Parreno’s Anywhen in the Turbine Hall (Reopens 10th Feb, Sun-Thur 10am-6pm, Sat & Sun 10am-10pm, Free) or interact with the best of new art in The Tanks. Plus don’t miss their BP Family Festival (11th & 12th Feb, Free) offering even more in the way of play, performance, sound and dance. Meanwhile, north Londoners should be privileged that the magnificent Passage/s installation by Do Ho Suh is currently on their doorstep at Victoria Miro, and visitors to artsdepot won’t even need to ward-off little fingers, as artist Yuen-Ying Lam invites interaction with all works in her latest exhibition To Hold and Be Held (12th to 18th Feb, Daily, see website for opening hours). If you made it to our recommendation at the Barbican a few weeks back, you’ll love the current 7-part performance art installation by Sonia Boyce: We move in her way at the ICA (Tues-Sun 11am-6pm, £1 Day Membership). Staying central, it’s your final chance to don some 3D glasses and get lost in the mesmerising digital art of Lucy Raven at Serpentine Gallery (until 12th Feb, Tues-Sun 10am-6pm, Free).

Thrifty Theatre

When is opera ever free? Hardly ever. So make haste and kick-off half term in the East End, with Ulla’s Odyssey at Rich Mix, a nautical adventure which follows fourteen year old Ulla in her attempt to sail the world single-handed (12th Feb, 2pm, Free but ticketed, age 7+). The performance is preceded by an interactive workshop, giving kids a chance to sing and speak out (12.30pm, Free but ticketed). Half term also brings about a rare chance for families to enjoy a ‘taster’ of brand new children’s theatre in Theatre in the Pound at The Cockpit Theatre (14th & 15th Feb, 12-3pm, £1). Performances contain three, 15 minute shows and range from puppetry and opera, to Shakespeare, with a chance to have your say at the end. Alternatively, if you’re looking for theatre in a slightly more historical setting, grab the opportunity to introduce kids to the magical Wilton’s Music Hall. For a short run only, the equally magical (yet slightly more stupendous) Morgan & West’s Utterly Spectacular Magic Show For Kids (and childish grown-ups) promises brain boggling illusion and lots of crazy capers, not forgetting a whole lot of magic! (16th & 17th Feb, 11.45am, tickets from £5, age 5+).

Fabulously Frugal Festivals

What do you mean you’ve never heard of Imagine Children’s Festival? You must have been asleep for the last 3 months, I’ve been writing about it since November. Back at our beloved Southbank Centre, the pinnacle of the children’s arts calendar arrives in the form of a 10 day extravaganza of theatre, dance, literature, spoken word, workshops and installations. Yes, the big-ticket productions are pricey, but more than 50% of the programme is now free, with highlights this year including a free pedal-powered screening of The Little Mermaid with prizes for the best underwater-themed costumes and a free bedtime story in the Clore Ballroom to close each day of the festival. Also on a mission to use the arts to inspire kids, is SMASHfest, a festival dedicated to all things STEM (science, technology, engineering and maths). The festival runs the entire week of half term at The Albany Theatre and Deptford Lounge, and features something every day, from comedy and variety shows, to interactive installations, experiments and film, many of which are ‘pay what you can’, or absolutely free.

Penniless Poetry

If the hustle and bustle of the Imagine Children’s Festival gets too much, then the serenity of the Saison Poetry Library is a brilliant place to escape, offering a chance to rest and peruse Britain’s most comprehensive collection of poetry. Prefer the words to come to you? Well there’s currently an interesting reinvention of work by Philip Larkin, some created entirely from Neon by artist DJ Roberts (Tues-Sun 11am-8pm, Free). For those who enjoy crafting their own poetic prose, Sara Hirsch will be hosting two drop-in workshops (15th Feb, 10.30am-12.30pm and 1-3pm, Free) at the Museum of London, inviting your input into a poem about the Great Fire of London, with a performance of the final draft at 4pm the same day.

**DISCLAIMER**Information and availability correct at time of publishing. Arts Aloud can not take any responsibility for scheduling changes or missed performances. Please check in advance of visit to avoid disappointment. Happy half term xx 

Inside Do Ho Suh’s colourful Passage/s

With one gallery in the heart of prestigious Mayfair, and the other nestled in the streets behind a busy City Road, Victoria Miro doesn’t immediately spring to mind as a destination for families. Yet in recent years it’s played to its strengths, drawing in a broader variety of visitors through its un-intimidating size and more accessible work, such has last year’s popular exhibition by purveyor of pumpkins, Yayoi Kusama.

Now, in a new exhibition by local resident and South Korean artist, Do Ho Suh, Victoria Miro continues in the same vein, through a show alive with themes of home, identity and family, presented in a way that is bold, colourful and playful, yet beautiful and intricate.

Passage/s is focussed on replicating the structures and ideas of home that have formed an important part of the artist’s life, from here in the UK, to his native Seoul, as well as other residencies in Berlin, New York and Rhode Island. Throwing light on the often hurried or forgotten places that fill a journey to the point of destination, Do Ho Suh encourages us to savour these important moments or spaces in-between, and enjoy them as a statement of the here and now. This all rang true for me as an incessantly busy, working mum.

Starting in the upper floor of Gallery I, you can get a good introduction to the detail behind Do Ho Suh’s incredible work. Created from stitching translucent, white polyester fabric, the Exit Series, 2016 casts a ghostly appearance of everyday fixtures and fittings, aspects that were joyfully identified by my young companion. Every light bulb, light switch and door knob is reminiscent of his stint in New York, and an homage to his (now departed) landlord of twenty years.  This section also provides a taster of his newer techniques –  using gelatin tissue to compress his structures into two-dimensional ‘drawings’, and onto handmade paper. More of this can be seen in kaleidoscope colour, and on a much greater scale, back down on the ground floor.

Also accompanying the works upstairs, is a large-scale video installation The Pram Project, 2015 which is definitely worth a watch. Don’t hang by the door like an apologetic wall flower! Get yourselves right into the middle of the space and you’ll be treated to the charming outputs of a series of journeys which were filmed by the artist’s GoPro camera, attached to his daughter’s pushchair. My little one absolutely loved the strolling sing-songs and it felt special to listen-in on the intimate chatter of a father and his daughters (in English and Korean), as they stroll through a range of localities.

The centrepiece of the exhibition is most definitely the Hubs, found through the rear garden and up the spectacular staircase to Gallery II. Having produced his original Hub, London Apartment for a smaller show in 2015, this hub is now joined by eight other structures to create an incredible walk-through experience, occupying the 25-metre-long gallery.

You’ll need to ditch any bags and buggies at this point to avoid making contact with the sides of the structure, but having done so you are free to carve your own path, or (as I did) let the little feet lead the way to a favourite hub. From the breeze blocks of Hub-1 Islington’s Union Wharf, to the ornamental shutters of a Seoul apartment, the experience is both magical and memorable. Without having to rush through, we turned around to enjoy it all over again, having realised that Do Ho Suh had cleverly succeeded in making the destination nowhere near as exciting as the journey.

Do Ho Suh Passage/s is at Victoria Miro until 18th March 2017
16 Wharf Road, London N1 7RW
Tuesday to Saturday 10.00am to 6.00pm, Monday: By appointment only
Closed Sundays, bank holiday weekends and public holidays
Admission Free

Nearby: You’re only a 10-15 minute walk in either direction from two separate branches of The Breakfast Club. Make the journey and you’ll be rewarded with the best pancakes, and the yummiest peanut butter milkshake that you’ll ever have tasted! (No bookings taken, be prepared to queue at busy times).