Having driven us dotty with her giant obliteration room in Tate Modern 4 years ago, Yayoi Kusama has chosen to keep things a little more intimate for her latest exhibition which opened last week at the Victoria Miro gallery.
If you’re after colourful paintings abound with eyes, faces and other abstractions, then it’s the Mayfair site you’re after. We were keen, however, to rekindle our romance with pumpkins, having previously fallen in love with their big bronze brothers.
We had to (excitedly) ring the bell to gain entry to the cosy Wharf Road site. Leaving our buggy folded in the small gift shop within Gallery I (where original Kusama ‘souvenirs’ start at £10 for a badge) we headed upstairs starting with the brand new pint-sized and perfectly polished bronze pumpkins. So cute you could just want to collect them up and cuddle them (but please advise against it).
Here we explored the first of three mirrored rooms created especially for this exhibition. For 30 seconds we were treated to infinite black and yellow pumpkins extending from the small space, leaving us desperate to stay for longer and wander the fields and paths that emerged between them.
Back down on the ground floor, a minute in the Chandelier of Grief room provided an odd sensation of falling through the floor, yet my eldest seemed more concerned about our entrapment, than the dazzling lights surrounding us. We steadied ourselves and headed outside into the pretty garden.
The garden – now seemingly extended by the mirrored exterior of Where the Lights in My Heart Go, has been home to Kusama’s Narcissus Garden for some time, yet now this sparkly sensation contributes to throwing light into the holes of infinity room number three, creating a universe of twinkly stars, bursting through a clear night sky.
Our last stop was to follow the staggering staircase up to Gallery II (there is a lift if you need it), home to a host of magnificent infinity nets – canvases which capture the artist’s continued obsession with multiplying dots. Blown away by the detail, my youngest stood uncomfortably close. The gallery attendant was unusually relaxed, but I was keen for her to view it from a greater distance, especially given the work was apparently reminiscent of Kusama’s childhood hallucinations. What better excuse to move her on than to reach the beautifully humble Pumpkin canvas at the end. A fantastic spot to plop down with a scrap of paper or a sketch book and pay homage to Kusama’s lifelong love through her very own work of art.
Although this current exhibition lacks the scale of the original Tate show, its subject and presentation certainly feels right at home in this unpretentious neighbourhood gallery. It’s high impact, it’s bitesize and unbelievably, it’s free – providing a winning combination for visiting families liable to bail at any time. It’s unsurprising that the team at Wharf Road might feel slightly unprepared for the attention they have been receiving from family visitors. Yes, there is no on-site cafe or baby changing facilities, and no step-free access to the upper-tier of Gallery I, but the relaxed expanse of space and friendly team are going out of their way to ensure families enjoy the work of this world class artist, from the infinity rooms and beyond.
Yayoi Kusama is on at all 3 Victoria Miro galleries until 30th July 2016
Open Tues- Saturday 10am-6pm, closed on Sunday, by appointment only on Monday.
Nearest tube Angel or Old Street (note: neither have lift access)
See website for gallery locations